Finally my memoirs have been adapted to ebook format. "God From Afar: Memoirs of a University Professor," by James Schiavone is now readily available via wireless download to any ebook reading device (i.e., Nook, Kindle, SONY, iPad, etc.). Go to Amazon.com/kindle.
"God From Afar will undoubtedly ruffle the feathers of many, invoke the anger and wrath of some administrative 'god' and elevate those in higher academia who have, at least on one occasion, been personally victimized by some administrative guile or godliness."
Ellwoodson Williams, Associate Professor of Speech, Communications and Theatre Arts
Borough of Manhattan Community College/The City University of New York.
___________________________
From an interesting personal perspective, James Schiavone sheds more than a little light on the bureaucratic elements inherent in the American teaching profession. His narrative paints a vivid picture of what it is really like to succeed and survive in academe. Far removed from what most people think of as a quiet life of deliberation and classroom lectures are the politicking, bureaucracy and colliding of incompatible personalities. As in most occupations, academic life is not immune to the corruptions of human character.
Through his unique career experiences Schiavone takes the reader on an incredible odyssey from elementary school to secondary, adult and higher education, describing how he was turned down for tenure, promotions to associate professor, and even a sabbatical -- yet achieved all of this and more at the nation's third largest university, CUNY.
His is a story of unflinching dedication to the teaching profession -- a devotion that has kept him on its front lines for more than 40 years. While interested laypersons, parents and students will find the work enlightening, entertaining, and often shocking, academics will certainly relate to the trials and tribulations of an extraordinary man who simply wanted to teach.
Also available in ebook format is Schiavone's classic contribution to the psychology of reading, "Help Your Child to Read Better." Originally published in the late sixties, this work is meaningful and effective into the 21st Century.
Both titles retail at a modest $3.99
Thursday, May 17, 2012
Sunday, May 13, 2012
Can Self Publishing Lead to a Traditional Publisher?
Surprise! Yes your self published work can lead to a traditional publishing contract with one of the Big Six. What are the odds? Well you have a better chance of being struck by lightening or winning the Power Ball lottery. We all know the stories of famous authors throughout history who made the big time after self publishing. Authors continue to do so today. However, think about how many books have been self published over the past few years. The numbers are staggering. In addition to the several hundred thousand books published by traditional houses annually, self published work far exceeds those numbers.
My experience indicates that most authors who self publish do so only after endless rejections from traditional houses. They do so out of sheer frustration and a feeing of hopelessness. My thoughts are that self publishing is great for authors who wish to reach out to family and friends, particularly with memoirs of family life and careers. I also think that if you feel strongly enough about your work, then self publishing is a viable option. Nothing ventured, nothing gained. The rationale for self publishing encompasses many considerations for each author. If this is what you want, then go for it. It is possible to get your book out in multiple versions of ebook, online, print on demand, hardcover, paperback, all of which can be made available through major outlets such as Amazon and Barnes & Noble on line, and in rare instances in brick and mortar venues. And unlike just a few years ago this can be accomplished with little or no expense.
I decided to blog on this topic from my viewpoint as an agent. Agents are individuals who differ in their approach to offering representation. At Schiavone Literary we seek out top notch materials to represent. We receive some 8,000 queries per year and select only a few. We clearly state on our Web site at Publishers Marketplace that we have a 99% rejection of all queries received. My best advice to authors seeking agency representation is to diligently research the nation's top agents to determine who they are, who they represent, sales they have made, and genres that they specialize in. I am rather astute, after 16 years in the publishing industry, in interpreting those authors who have done their homework, compared to those who willy nilly use the shotgun approach to sending queries hither and yon. Also, some authors use old resources that do not reflect the current needs and interests of the agencies they contact. I always know when an author writes a query based on information gleaned from my Publishers Marketplace Web site.
I have taken the position that I prefer not to consider previously published work in any format. Clearly, most authors who send queries asking for representation of their self published work, are not satisfied with the results. Invariably they convey their disappointment over the lack of sales. They say that they want to reach a broader population and now wish to attract a traditional publisher. "Look at me, I've self published and now I want you to sell my work to Random House!" Really? In a rare instance or two, the author tells me that 9,500 copies were sold in four weeks. Well then, I'm interested. Send documentation of those sales so we can proceed with representation. Interestingly, communication stops completely at this juncture.
I am prompted to jot down these thoughts, because lately I have been overwhelmed with queries from self published authors. I do believe that there are true literary gems among those queries, but time limitations preclude investigation. There may very well be agencies that will entertain the possibility of looking into self published work. Schiavone Literary is not one of them, but this does not preclude the possibility of representation based upon high sales figures.
My experience indicates that most authors who self publish do so only after endless rejections from traditional houses. They do so out of sheer frustration and a feeing of hopelessness. My thoughts are that self publishing is great for authors who wish to reach out to family and friends, particularly with memoirs of family life and careers. I also think that if you feel strongly enough about your work, then self publishing is a viable option. Nothing ventured, nothing gained. The rationale for self publishing encompasses many considerations for each author. If this is what you want, then go for it. It is possible to get your book out in multiple versions of ebook, online, print on demand, hardcover, paperback, all of which can be made available through major outlets such as Amazon and Barnes & Noble on line, and in rare instances in brick and mortar venues. And unlike just a few years ago this can be accomplished with little or no expense.
I decided to blog on this topic from my viewpoint as an agent. Agents are individuals who differ in their approach to offering representation. At Schiavone Literary we seek out top notch materials to represent. We receive some 8,000 queries per year and select only a few. We clearly state on our Web site at Publishers Marketplace that we have a 99% rejection of all queries received. My best advice to authors seeking agency representation is to diligently research the nation's top agents to determine who they are, who they represent, sales they have made, and genres that they specialize in. I am rather astute, after 16 years in the publishing industry, in interpreting those authors who have done their homework, compared to those who willy nilly use the shotgun approach to sending queries hither and yon. Also, some authors use old resources that do not reflect the current needs and interests of the agencies they contact. I always know when an author writes a query based on information gleaned from my Publishers Marketplace Web site.
I have taken the position that I prefer not to consider previously published work in any format. Clearly, most authors who send queries asking for representation of their self published work, are not satisfied with the results. Invariably they convey their disappointment over the lack of sales. They say that they want to reach a broader population and now wish to attract a traditional publisher. "Look at me, I've self published and now I want you to sell my work to Random House!" Really? In a rare instance or two, the author tells me that 9,500 copies were sold in four weeks. Well then, I'm interested. Send documentation of those sales so we can proceed with representation. Interestingly, communication stops completely at this juncture.
I am prompted to jot down these thoughts, because lately I have been overwhelmed with queries from self published authors. I do believe that there are true literary gems among those queries, but time limitations preclude investigation. There may very well be agencies that will entertain the possibility of looking into self published work. Schiavone Literary is not one of them, but this does not preclude the possibility of representation based upon high sales figures.
Wednesday, March 21, 2012
Should an Author Quote From an Editor's Rejection Letter?
The answer to this question rests with the author. I would posit the following question to the author: What do you hope to accomplish from this approach? When I receive a query letter from an author who quotes positive statements from an editor my immediate thought is that the quote is taken out of context. In many cases I already know that the editor's statement is part of a rejection letter. An author quotes an editor stating that the work is "...a masterpiece." This is true but the full sentence reads, "This work is hardly a masterpiece."
As an agent, editorial quotes give me clues as to where the manuscript has been and subsequently rejected. While some may disagree with this advice, I suggest that editorial quotes be avoided altogether, as they do not enhance the author's chances of an offer of representation.
As an agent, editorial quotes give me clues as to where the manuscript has been and subsequently rejected. While some may disagree with this advice, I suggest that editorial quotes be avoided altogether, as they do not enhance the author's chances of an offer of representation.
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